New Articles and Featured Content

February-March 1998
Guitar Nine

Melodic, Hard Rock Instrumentalist From Down Under

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Instrumental Electro-Acoustic Guitar Music

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Haus

Be prepared do a lot of work promoting and marketing. I strongly suggest people make a plan detailing how they will be selling and marketing their record. Rather than trying to sell one CD at a time, shop it for licensing and other types of deals, since ultimately, that is where a large number of sales will come from.

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Maine's Premiere Fusion Guitarist Unleashed

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Solo Fingerstyle Guitarist Taps Into Her Talent

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Guitarist Blends Rock, Funk And Metal With Relentless Intensity

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Lightning Guitar Fuels All-Instrumental Release

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

A New Age Rock 'N' Roll Wandering Minstrel

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Instructor Shoots For Instrumental Release

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Guitarist & Composer Has Acoustic Dreams

Saturday, January 31, 1998 - 19:00
December-January 1997
Guitar Haus

If you're a typical musician, you lack one or both of these critical qualities. Let's see how important they are to your success.

Sunday, November 30, 1997 - 19:00
December-January 1997
Sean T. Gill

If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.

Sunday, November 30, 1997 - 19:00
December-January 1997
Rusty Cooley

Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Haus

I`d really like to develop into a good composer. I`m not a Greg Howe or an Allan Holdsworth when it comes to soloing, so I have no choice but to work on developing my compositional skills so that people will have a reason to listen! To me, the ideal is someone like Scott Henderson, or Shawn Lane, who are not only amazing players, but equally strong, if not better, composers. That`s the pinnacle, to me.

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Multi-Instrumentalist Tracks Cool, Contemporary Jazz

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Summoning The Ghosts Of Pop, Folk & Rock

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

One Of Those (Guitar) Guys

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Energetic, Unpredictable Fingerstyle Guitar

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Instrumental Guitarist Challenges The Musical Trends Of Today

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Alternative Acoustic With A Pure, Emotional Edginess

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Rock Guitar Virtuoso Plans New CD

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Guitarist/Songwriter Works Studio Magic Close To Home

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Neo-Classical Guitarist Goes Solo

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Progressive Instrumentals Laden With Emotion

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Instrumental Guitar Landscapes

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

High Energy Band Does It Themselves

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Vibrant and Powerful Acoustic Music

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Cutting Edge Guitarist Delivers the Instrumental Goods

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Creative, Unusual Power Trio Oozes Intensity

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Electrifying, Emotional Blues-Rock Instrumental Music

Sunday, November 30, 1997 - 19:00
October-November 1997
Guitar Haus

Self-assessement time. Can you go it alone? You might need the synergy of two people working together to kick start your label.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Haus

I do as much pre-production as humanly possible at home. When you`re ready to record, and I can`t stress this enough, have everything rehearsed to death and a production plan ready. I did my latest CD at a commercial place, but my dream is to do my next one at home.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Haus

The bottom line is: I believe in my music. As an instrumental artist you`re not going to land a huge deal with a major label. If you do get a deal the label is going to take a huge chunk of money, and even if they do sign you, they may not even distribute your CD. Some friends of mine signed with a major label, and the label has not done a thing with them. So they have a great product that they can`t do anything with.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Tony Young

Just can`t get enough info about modes, can you? Guitarist Tony Young relates modes to chord progressions.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Adrenaline-Pumping, Cinematic Heavy Rock

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Stepping Outside Contemporary Fusion

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Folk And Rock 'N' Roll With A Country Flavor

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Mixing Luxurious Soundscapes With Rock/Blues Guitar

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Instrumental Metal That Screams For Vengeance

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Surprising Interpretations Of Contemporary Classical Guitar

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Supercharged, Energetic Bass Guitar For The New Millennium

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Intense, Ripping Instrumental Guitar

Tuesday, September 30, 1997 - 20:00
August-September 1997
Guitar Haus

Completely subjective, straightforward tips in the areas of promotion, publicity and your career.

Thursday, July 31, 1997 - 20:00
August-September 1997
Guitar Haus

Even though these days it takes a lot of idealism to produce an instrumental record, I strongly encourage everybody who`s playing around with the idea to do so. Just don`t expect to get any money out of it, regardless of the quality of your product. It might happen, but it`s very likely that it won`t. But you will have the best musical business card there is and a unique document of your own creativity.

Thursday, July 31, 1997 - 20:00
August-September 1997
Guitar Haus

The one thing I always try to do is be in a creative state of mind when I compose. It seems that the ideas flow better if you are working on it on an ongoing basis. For a lot of my instrumental tunes, I sometimes get a mental picture of something in my head, and then ask myself what music goes with this scene. This is much like scoring for film--except the film is in my head!

Thursday, July 31, 1997 - 20:00
August-September 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz takes time out from lunch to give you his assurance that there is life beyond the blues scale.

Thursday, July 31, 1997 - 20:00
August-September 1997
Guitar Haus

13 additional tips you can use today to improve your tracks.

Thursday, July 31, 1997 - 20:00

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