New Articles and Featured Content

August-September 2004
Barrett Tagliarino

Use this scale to yield great sounds in jazz and ragtime, through perilous horror-film mayhem, cheese-metal and progressive rock fusion.

Saturday, July 31, 2004 - 20:00
August-September 2004
Dale Turner

How to protect yourself when recording covers, as well as ensuring the original songwriter gets his/her due.

Saturday, July 31, 2004 - 20:00
August-September 2004
Mike Campese: The Fire Within

The second part of taking a well-known violin caprice to the six-string.

Saturday, July 31, 2004 - 20:00
August-September 2004
Randy Ellefson

Creating a harmonic relationship between sections and adding to the sense of forward motion - Randy Ellefson is here with some great ideas.

Saturday, July 31, 2004 - 20:00
August-September 2004
Dan Keller

Let the Sultan of String blend, meld, mix and match scales, yielding a unique, exotic effect.

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Haus

If the U.S. guitar magazines want to have more of an impact with the global community; they need to balance commercialism with the true artistic and innovative expressions of the guitar in many various forms.

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

A Throwback To '60s & '70s Rock Albums

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Guitars In A Pop/Rock Context

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Downtempo Electronic Guitar Blend

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Croatian Steel-String Fingerstylist

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Multi-Style Instrumental Guitarist

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Bottleneck & Solo Fingerstyle Guitar

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Instrumental Progressive Fusion Tracks

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Delivering A Musical Ride Worth Taking

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Embracing All Musical Influences

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Dedicated To Instrumental Rock

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Rough 'N' Ready Instrumental Demo

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine

Intense Musical Guitaration

Saturday, July 31, 2004 - 20:00
August-September 2004
Guitar Nine Newsroom

Guitar Nine Records August-September 2004 newsletter.

Saturday, July 31, 2004 - 20:00
June-July 2004
Tom Hess Opus 2

Neo-classical guitarist Tom Hess discusses the motivations of a true artist.

Monday, May 31, 2004 - 20:00
June-July 2004
Mike Walsh

Hess guitarist Mike Walsh will help you become a better musician with his keys to success.

Monday, May 31, 2004 - 20:00
June-July 2004
Chris Juergensen

Small-handed Chris Juergensen shows you how to stretch to achieve great harmonic choices in chords.

Monday, May 31, 2004 - 20:00
June-July 2004
Mike Campese: The Fire Within

Mike Campese again turns the tried and true triad into an improvisational treat.

Monday, May 31, 2004 - 20:00
June-July 2004
David Vincent Jones

Guitarist Neil Brocklebank`s logistics manager discusses the (dis)function of a music critic.

Monday, May 31, 2004 - 20:00
June-July 2004
Randy Ellefson

Thicken up lines, phrases and solos with the second double-tracking installment. Play it again, Randy.

Monday, May 31, 2004 - 20:00
June-July 2004
Dan Keller

Let the Sultan of String explain the finer points of the Yona Nuki and In scales.

Monday, May 31, 2004 - 20:00
June-July 2004
Paul Nelson

Harmonic minor scale soloing and chord substitution made simple through theoretical refocusing.

Monday, May 31, 2004 - 20:00
June-July 2004
Rob Eberhard Young

New and inventive ways to record the ever-elusive acoustic guitar.

Monday, May 31, 2004 - 20:00
June-July 2004
Christopher Knab

Music industry consultant Christopher Knab talks about how labels of various sizes work together to achieve common goals.

Monday, May 31, 2004 - 20:00
June-July 2004
Bartley F. Day

Music industry consultant Christopher Knab talks about how labels of various sizes work together to achieve common goals.

Monday, May 31, 2004 - 20:00
June-July 2004
Tim Sweeney

Indie marketing guru Tim Sweeney talks about the Book - your personal promotion and marketing book, that is.

Monday, May 31, 2004 - 20:00
June-July 2004
Martin Schmidt

There`s very few radio stations who play surf, rockabilly or blues, together with current folk or roots music. It`s always Britney Spears, Christina Aguilera or the Backstreet Boys. I just wish that the kids coming up would have a choice to be able to hear everything on the radio and be exposed to that stuff.

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

A Passion For Making & Sharing The Music

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Brazilian Musical Treat, With Nilson Matta

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Arlen Roth's Second Guitarist Goes Solo

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Aggressively Pursuing The Hard Rock Agenda

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Sweden's Instrumental Storyteller

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Settling The Score... With Metal

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

A Heaping Helping Of Shredded Bliss

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

16-Year-Old Neo-Classicist Cranks Out Demo

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Practicing Instrumental Metallurgist

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Appealing To The Emotions & The Intellect

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Jazz/Fusion Tone King

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine

Warp-Speed Washington Shredder

Monday, May 31, 2004 - 20:00
June-July 2004
Guitar Nine Newsroom

Guitar Nine Records June-July 2004 newsletter.

Monday, May 31, 2004 - 20:00
April-May 2004
Guitar Haus

Being independent allows you to totally escape A&R, and do whatever you want. In the next three years I am releasing a solo acoustic guitar record, a fusion record, and a record with no guitar on it. I would never be allowed to do that with PolyGram. Being independent allows you to always be in control of your own music.

Wednesday, March 31, 2004 - 19:00
April-May 2004
Fc Bester

Audio mastering specialist FC Bester joins us for an introduction to this often misunderstood subject.

Wednesday, March 31, 2004 - 19:00
April-May 2004
Tom Hess Opus 2

Tom Hess is back with a second installment on how creativity can be enhanced to improve songwriting and improvisation.

Wednesday, March 31, 2004 - 19:00

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