Instrumental Rock For The Hungry Heart
The Guitar Player's Resource
Instrumental Rock For The Hungry Heart
Duel Guitars, High-Tech Shred
Guitar Nine Records December-January 2007 newsletter.
Neo-Classical Guitarist Goes Solo
Rock Guitar Virtuoso Plans New CD
Solo Fingerstyle Guitarist Taps Into Her Talent
Instrumental Guitarist Stresses Music Over Flash
Indie marketing guru Tim Sweeney urges you focus on the messages and ideas your music provokes.
Tom Hess with his fourth installment on songwriting, with more advanced, yet simple and overlooked concepts.
Exploring the best use of swept arpeggios in a rock guitar player`s bag of tricks.
Check out Sander Owen`s ultimate guide for the impatient and willfully weak musician.
If you`re sitting there with a pick in your hand, throw it away, you won`t need it.
A theory borrowed from psychology but adapted by the author to the musical realm.
Simple knowledge of pentatonics is all you need to utilize the modes in your lead guitar playing.
The Mad Scotsman is here with the first in a series of lessons featuring cliche busting musical ideas.
Guitar Nine Records October-November 2007 newsletter.
Music That Grabs Your Attention
A Technical Mastery Of Jazz
Italian Hard Fusion
Powerful & Often Surprising
It was really important to me that all of the crazy shred guitar on the record be song driven and not the other way around. As a listener, I want to hear songs, not a brief melodic section and then eight minutes of jamming.
Travels with your musical tour guide, Canadian guitarist David Martone.
How to keep your performance but change the ampís sound after the fact.
Michael Knight looks at some activities for versatile composition and soloing.
What does it mean for one`s playing to be considered original? Let`s find out.
Enlist those underutilized picking hand fingers to facilitate string skipping and wider intervals.
Here are seven common problems guitarists encounter when learning to sweep pick, and what you can do about them.
The second part of the process and benefits of writing down and charting specific details of the things the composer wishes to express is explained.
Indie marketing guru Tim Sweeney recommends cooperation, instead of competition.
Tom Hess with his third installment on ideas on selecting and using a compositional process that works best for you.
Guitar Nine Records August-September 2007 newsletter.
Here`s a great way to fatten up any guitar tone, with Canadian guitarist David Martone.
Give your picking a boost with German`s crazy ideas.
Rhode Island's Metal Chunk
Avant-Hard Rock
Modern One-Man Band
If Your Psyche Troubles You...
Indie marketing guru Tim Sweeney suggests making your next live show an event.
Tom Hess with even more ideas on selecting and using a compositional process that works best for you.
Have trouble fitting the "biz" into your daily life as a musician? Check out Metal Mike`s advice.
Before you come down for one technique or another, check out Philippov`s discussion on the issue.
Mindstorming Brothers In Arms
Aggressive Slide Guitar
Where Moscow Meets Texas Blues
Smack The Monkey
I advise to all those who can, to work in their own recording studio, so you can be free from conditions such as timetables and costs! I opened my studio in 1996 when I worked doing TV spots and was tired of spending money and time at other recording studios.
My main aim with this album was to write songs that had really strong melodies and structure and that would be appreciated by a wide range of listeners other than just guitar players.
Here`s some ideas to help you reach the front gate of shredhood.