New Articles and Featured Content

February-March 1999
Guitar Nine

Instrumental Guitarist Records Solo EP

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Swedish Guitarist Plans To Leverage Skills

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Instrumentals Highlighting The Low End

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Microtonal Musician Explores 19 & 34 Tone Guitar Music

Sunday, January 31, 1999 - 19:00
February-March 1999
Guitar Nine

Eclectic Instrumental CD Oozes Raw Energy

Sunday, January 31, 1999 - 19:00
December-January 1998
Guitar Haus

Part two of our e-mailbag dump, answering some of the most commonly asked questions about releasing and promoting records.

Monday, November 30, 1998 - 19:00
December-January 1998
Paul Abbott

Paul Abbott discusses the phenomenon of sound.

Monday, November 30, 1998 - 19:00
December-January 1998
Gerry Magee

Highlighting the ways that other instruments and their players can profoundly effect us.

Monday, November 30, 1998 - 19:00
December-January 1998
Jeffrey Ryan Smoots

Putting yourself in the shoes and sticks of the drummer.

Monday, November 30, 1998 - 19:00
December-January 1998
Randy Allar

As far as instrumental goes, when you can`t sing yourself, you tend to write without a vocal part in mind. If you could add vocals to it, that would be one thing, but I decided that I would like the guitar to shine through on what I was doing. So I decided to make the project instrumental.

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Progressive Instrumental Guitarist Releases EP-CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Delivering Impressive Guitar & Heartfelt Music

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Two-Handed, Melodic Mood Music

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Guitar Company Releases Instrumental Artist Collection

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Heavy Metal Guitar Instrumentals

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Duo Creates Stylistic Melting Pot

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Hard Rock Group Looks To Enter The Popular Mainstream

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Dedicated Guitarist Plans Solo Instrumental Project

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Four-Piece Instrumental Group Releases First CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Instrumental Heaviness With An Emphasis On Composition

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Demon On The Fretboard Releases CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Guitar Student Demos Instrumental Compositions

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Furiously Fast French Guitarist Seeks Producer/Sponsor

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Authentic, Hard-Edged Blues/Rock

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Killer Texas Trio Releases First CD

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Instrumental Blend Of Rock And Fusion

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Melodic Songwriting Meets Intense Guitar Riffs

Monday, November 30, 1998 - 19:00
December-January 1998
Guitar Nine

Bassist, Drummer Combine With Fusion Greats

Monday, November 30, 1998 - 19:00
October-November 1998
Paul Kuntz

Guitarist Paul Kuntz is back with some thoughts on how to avoid that feeling of being `lost without a map`.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Curtis

Kick-start your musical development with these essential tips from Curtis.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Neal Nagaoka

Learn the essentials of the swept arpeggio from one of the masters of the technique.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Gerry Magee

Gerry Magee begins his multi-part series on expanding your mind, as well as your fretboard, with the benefits of thinking like a composer.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

Don't make the mistake of thinking this is someone else's job. As an independent artist, the ball is in your court.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

For Europe my music is not aggressive enough and in the US I didn`t have anybody to present it to. So rather than making so-called industry contacts and "wait until it happens" I decided to do it myself, which turned out to be much faster and got me and my music much more respect. I highly recommend a musical statement such as this to all musicians who intend to be a part of this complex industry.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

I hope my music, although there are no words, communicates and reaches people on an emotional, spiritual and entertaining level. I try to incorporate various instrumentation, and contemporary compositional influences.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Haus

We have tried to record as much of our playing as we possibly can, both in practice and "jamming" sessions, and when we perform live, to give ourselves some feedback. When playing it`s very difficult to listen to yourself because you`re too busy thinking about what`s going to happen next, while in critical listening you concentrate on the blend of what has just happened. By listening to recordings of ourselves we can pick out the improvisational parts that work well, sound great, or have promise, then try to concentrate on developing them.

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Acoustic Progressive Jazz Meets New Age Fusion

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Guitarist Blends Progressive & Neo-Classical Influences

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Guitarist Makes Mark In Music Mecca

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Instrumental Rock For The Hungry Heart

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Trio Releases Instrumental Rock Demo

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Duel Guitars, High-Tech Shred

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Electric Release From Multi-Instrumentalist

Wednesday, September 30, 1998 - 20:00
October-November 1998
Guitar Nine

Maniacal Instrumental Madness With An Elfin Flavor

Wednesday, September 30, 1998 - 20:00
August-September 1998
Guitar Haus

In the last few years I`ve made a record for a major label that didn`t get released. Then I signed with a indie label. I thought the majors were the bad guys, and this label would give me more attention. WRONG! To make a long story longer, the small label had bad distribution and never paid a bill, let alone the tour support and promo budget.

Friday, July 31, 1998 - 20:00
August-September 1998
Guitar Haus

I knew what I wanted to do but there were no labels dedicated to the guitarist as the artist, but only to the guitarist as a shred meister. I read an interview with guitarist Glenn Phillips, who has released ten albums independently. I realized from his comments (about the music industry) that the only way to reach my goal was to follow his example.

Friday, July 31, 1998 - 20:00
August-September 1998
Guitar Haus

CD recorders (or burners) are great in any studio. Should you consider releasing your next CD on CD-R.

Friday, July 31, 1998 - 20:00
August-September 1998
Guitar Nine

Progressively Minded Guitarist Blends Metal, Funk & Rock

Friday, July 31, 1998 - 20:00

Pages