Look What The Stork Brought
The Guitar Player's Resource
Look What The Stork Brought
Got amp? Need tone? Tips for a great electric guitar sound.
Music industry consultant Christopher Knab with questions that are useful for any serious, business-minded artist or band.
Five pages of ii-V-I-VI etudes, in all twelve keys.
How to be prepared and to know what situations can await you in the world of studios, producers, broken cables and detuned guitars.
Yes, it is possible to have recordings that sell in great enough number to be a successful instrumentalist.
Guitar Nine Records August-September 2005 newsletter.
The advantages to working with a label is the feedback you get while writing. On my previous CDs I was pretty much on my own so it was nice to get some feedback for a change.
This is one of the great things about being an artist on Favored Nations. I am in control of my art. When I write songs, I never think about how long a song is - my songs and arrangements are done the way I envision it.
When to crank the gain, and when to back off, with Canadian guitarist David Martone.
Mike Campese demonstrates that you can get many unique sounds out of just one scale.
What separates those who do from those who don`t? Here`s how you can succeed where others have failed.
Making an acoustic guitar sound good in the mix, part deux.
Guitarist Paul Kuntz is back, after an almost 7 year absence, to talk modes.
A whole lot of great information about how to get new uses out of the pentatonic scale.
Virtuoso classical guitarist and instructor Jamie Andreas can help you `manage` the process of changing bad playing habits.
Indie marketing guru Tim Sweeney puts a definition on all the things to which a creative musician may aspire.
Music industry guru Christopher Knab presents his collection of quotes - reading them will be a college education.
Music is the highest form of art. It is the most abstract art, while being the one that reaches deep emotions in all of us. Instrumental music is Pure Music. It gives to the listener only vibrations to get inspired and emotional.
Can you benefit from a four-year music education? Let`s explore the options.
Northern California Guitar Tribute
Delivering The Unfamiliar
Zeppelin Meets Jay-Z
More About Melody Than Shred
Following In The Footsteps Of Vai/Satch
Cookin' Up Rock Blues & Country
Guitar Nine Records June-July 2005 newsletter.
French Guitarist Features Instrumentals
Rock/Fusion From Columbia
Stand Alone Guitar Playing
Jazz Artist Plays For The Fun Of It
Techno-Rock Guitar
Audiophile Jazz Fusion CD/DVD
Indie marketing guru Tim Sweeney speaks to musicians about how loss of control leads to poor results and a lack of accomplishment.
Music industry consultant Christopher Knab shows you how to make your bio informative, upbeat, motivational and useful.
Guitarist Jeff Lawrence talks about the many benefits of fretboard knowledge.
Guitarist A-J Charron is here with his ideas on writing from the heart (not the checkbook).
Now you`ve got a good recorded acoustic guitar sound, let`s make sure it sounds good in the mix.
Hess guitarist Mike Walsh has got a great use for your next spare Benjamin.
Jazz/funk/fusion guitarist John Drew guides you through the ups and downs of one representative musician`s career path.
Virtuoso classical guitarist and instructor Jamie Andreas helps you define the role of a good guitar teacher.
Ready to quit your day job? Get some thoughts and advice first, from one who`s done it.
If you learn other peoples solos or listen to other people`s music, will it ruin your own creativity? Scott Tarulli gives his personal opinion.
Mike Campese blazes through exercises from his all new CD, entitled "The New".
Untouchably Radical Australian Fusion
Jazz Duets With The Greats
Rock's Quicker Picker-Uppers
Intense, Dramatic Guitar Rock