Guest Columnists

Displaying 193 - 204 of 1236
August-September 1998
Ken Burtch

The beautiful part about the tempered music scale lies in it`s flexibility. One of Ken`s favorite tricks is to take one shape, and use it to move up or down the fretboard in a linear way. The similarities in chord shapes will allow you to do the same.

October-November 1998
Paul Kuntz

Guitarist Paul Kuntz is back with some thoughts on how to avoid that feeling of being `lost without a map`.

October-November 1998
Curtis

Kick-start your musical development with these essential tips from Curtis.

October-November 1998
Neal Nagaoka

Learn the essentials of the swept arpeggio from one of the masters of the technique.

October-November 1998
Gerry Magee

Gerry Magee begins his multi-part series on expanding your mind, as well as your fretboard, with the benefits of thinking like a composer.

December-January 1998
Paul Abbott

Paul Abbott discusses the phenomenon of sound.

December-January 1998
Gerry Magee

Highlighting the ways that other instruments and their players can profoundly effect us.

December-January 1998
Jeffrey Ryan Smoots

Putting yourself in the shoes and sticks of the drummer.

February-March 1999
Tonya Rae

A few words of practical advice from Tonya`s new book "Hidden Secrets To Making And Promoting Your Music Revealed".

February-March 1999
Gerry Magee

Gerry Magee continues his multi-part series on expanding your mind, as well as your fretboard, with an article on focusing your mental energy.

February-March 1999
Peter Neri

Peter Neri on how to get those fingers (and thumbs) flying.

February-March 1999
Don Lappin

Don Lappin discusses the endless possibilities of the 5-tone tapping technique.

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