Guest Columnists

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February-March 2014
Tom Hess Opus 2

Tom Hess talks about how you can by use creative rhythm guitar practice methods to write your own rock and metal guitar riffs.

February-March 2014
Tommaso Zillio

A lot has been written on Blues soloing, but preciously little on creative Blues rhythm playing. Don`t get caught playing the usual three power chords.

February-March 2014
Tim Sweeney

Indie marketing guru Tim Sweeney has advice for artists on ways to cope with the annual holiday seasons.

February-March 2014
Christopher Knab

Music industry guru Christopher Knab gives a basic introduction to your rights and other issues regarding your original songs and recordings.

February-March 2014
Jean-Pierre Zammit

Jean-Pierre teaches you about modes, with a small introduction and the `why` and `how` of their existence

February-March 2014
Tom Hess Opus 2

Using the same guitar soloing approach as everyone else can only lead to one result: a guitar solo that has a very similar sound to nearly every other guitar solo out there.

April-May 2014
Tom Hess Opus 2

Tom Hess helps you to find band members with the same drive and ambition that you have.

April-May 2014
Mike Campese: The Fire Within

Mike Campese is back with exercises to help you improve your picking, dexterity, and overall technique.

April-May 2014
Tommaso Zillio

Wrapping your mind around the old "cowboy chords" but have no idea where to go from there? Here is a simple concept helping you break free and stimulating creativity.

April-May 2014
Tim Sweeney

Indie marketing guru Tim Sweeney reminds us to think outside the box.

April-May 2014
Christopher Knab

Music industry guru Christopher Knab offers simple basics on graphic considerations when designing album artwork.

April-May 2014
Jean-Pierre Zammit

Dominants should be the arpeggios you study first since they are used regularly in Blues/Rock progressions and songs.

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