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October-November 1996
Guitar Haus

Call-and-response practicing to enhance your phrasing and composing.

June-July 1996
Guitar Haus

A number of short lick ideas designed to kick-start your technique.

August-September 1996
Guitar Haus

More short lick ideas to kick-start your technique.

June-July 1996
Guitar Haus

Nowhere to go with ascending licks but up? Dan McAvinchey confronts the problem and gives you several ideas you can use today. Don't just take the easy way out and start descending either.

February-March 1997
Guitar Haus

Stop practicing with boring scales and start testing your fingers with melodic 'riffs' from Mozart, Bach, Beethoven, and more.

October-November 1996
Guitar Haus

Stop strumming those simple barre chords, and embellish your chordal work with licks and phrases that blur the distiction between rhythm and lead guitar playing.

August-September 1996
Guitar Haus

Break free of your limiting beliefs about pentatonic scales.

August-September 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz takes time out from lunch to give you his assurance that there is life beyond the blues scale.

October-November 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.

June-July 1998
Paul Kuntz

Guitarist Paul Kuntz is back with some fresh ideas on getting out of playing `in the box` and save untold wear and tear on your frets.

August-September 1998
Ken Burtch

The beautiful part about the tempered music scale lies in it`s flexibility. One of Ken`s favorite tricks is to take one shape, and use it to move up or down the fretboard in a linear way. The similarities in chord shapes will allow you to do the same.

October-November 1998
Neal Nagaoka

Learn the essentials of the swept arpeggio from one of the masters of the technique.

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